Follow her on Twitter at a vinyl copy of Solange’s A Seat at the Table at the OKP Shop. Sofiya Ballin is a writer and Features Reporter at the Philadelphia Inquirer. The “it” may not go away, but we keep going.
There’s freedom and peace in knowing that you won’t know. In that moment, she’s letting go of control. Upbeat syncopation with mellow strings and vocals highlight the victory in the loss.Īt the end of the song, Solange hits a piercing falsetto. It manages to be joyous and melancholy at the same time. What people love more about Solange’s siren song is that it’s a chameleon. Sometimes I dont wanna feel those metal clouds. To write it away or cry it away (dont you cry baby) Away, away, away, away, away, away. You may never be the same as before.Īnd it’s okay. Thought if I was alone then maybe I could recover. This me has battle scars that she has to live with daily. “Cranes in the Sky” reminds you that there is an “it” you carry around, that you don’t always get the answers and that you don’t always get closure. A stirring you can’t quite put your finger on, so you feel everything and nothing at the same time. She makes you feel something complicated. It’s uncomfortable and unsettling because there’s absolutely no closure. But she’s letting you know there will still be scars. Solange’s voice is soothing, a balmy dressing for the lacerations. What “Cranes” reveals is that time doesn’t heal all wounds, but instead you learn to live with the gashes. away, away Away, away, away, away, away Well its like cranes in the sky Sometimes I dont wanna feel those metal clouds Yeah its like cranes in the sky. And I had to face the reality: some of it may never go away. The working, the traveling, the physical changes weren’t going to make it go away. I was holding on to a lot of anger, insecurity, unnecessary expectations for myself and other people and a lot of pressure.
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An idea of what I thought love and life was supposed to be and when I found out otherwise, I didn’t know how to deal. It was after playing the song on several Sundays over refilled tea cups and a battered journal that I realized I was grieving. It could be depression, mourning, or feeling lost. Sometimes I don’t want to feel those metal clouds. I just needed her to tell me what worked. Crib so big cranes in the sky Standing on a stage chains side to side I fuck her on the back if she dont wanna ride I bring another one I like the traumatize Wings stop a nigga wanna number nine That atomic bomb get hotter than the summertime I maybe get your number on some other time I maybe get a mutual to give you one of mine Solange. I needed to know, because if she could get rid of “it,” then I could, too. She exposed something in me but wasn’t handing me the answers. Spend more time behind the scenes of A Seat at the Table in Solange’s mini-doc below.I kept looking for an exit and Solange, like a goalie, blocked every shot.
Solange was recently interviewed by her sister Beyoncé for Interview magazine, talking about Björk and sisterhood.
Previous guests on the podcast include Grimes on ‘Kill V Maim’, Oneohtrix Point Never on ‘Sticky Drama’ and Kelela on ‘Rewind’.
“I’ve had a extremely difficult relationship with meditating and trying to silence my brain, which is what so much of this song is about.” “The fact that the chords do stay the same rings very true to the narrative of the song, it acts as a meditation,” she adds. She talks about how she wrote the track during a transitional time in her life, when she had moved back to Houston from Idaho and just signed a publishing deal as a songwriter: “There were times that I felt like, well, I’m doing what I love to do, what I’ve always wanted to why do things still feel so heavy? What is this weighing on me, what is this that I’m trying to work through?” I went to my hotel room and wrote the lyrics and the melody, immediately coming up with the first four lines: “I tried to drink it away, I tried to put on in the air, I tried to dance it away, I tried to change it with hair.'” “I immediately had this really strong reaction. The Knowles sister talks about how she wrote ‘Cranes in the Sky’ with her producer Raphael Saadiq, based on a sparse “sketch” he’d put together featuring drums, bass and strings. Solange is the latest guest on Song Exploder, the podcast that asks musicians to break down how they made one of their best known tracks. The story behind a standout track from A Seat At The Table.